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Dancing intercorporeality: a health humanities perspective on dance as a healing art

机译:跳舞的人际关系:健康人文视角下的舞蹈作为一种康复艺术

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摘要

As a contribution to the burgeoning field of health humanities, this paper seeks to explore the power of dance to mitigate human suffering and reacquaint us with what it means to be human through bringing the embodied practice of dance into dialogue with the work of the French philosopher Maurice Merleau-Ponty. Merleau-Ponty’s conceptualisation of subjectivity as embodied and of intersubjectivity as intercorporeality frees us from many of the constraints of Cartesian thinking and opens up a new way of thinking about how dance functions as a healing art through its ability to ground and reconnect us with self, world, and others; with our humanity. It is argued that through this Merleau-Pontian framework we can therefore come to appreciate the true potential of dance as a positive and deeply humanising experience, thus demonstrating how expressive arts practice understood through the lens of philosophical theory can open up new dimensions of understanding and experience in relation to well-being and self- (and other-) care.
机译:作为对新兴的健康人文科学领域的贡献,本文力求探索舞蹈在减轻人类痛苦方面的力量,并通过将舞蹈的具体实践与法国哲学家的对话进行交流,使我们重新认识对人类的意义。莫里斯·梅洛-庞蒂。 Merleau-Ponty将主体性体现为主体,将主体间性视为实体间的概念使我们摆脱了笛卡尔思想的诸多束缚,并开辟了一种新的思维方式,即舞蹈如何通过其使我们与自我建立基础和重新联系的能力而发挥康复作用,世界等与我们的人性有人认为,通过这种梅洛-庞帝式的框架,我们因此可以欣赏到舞蹈作为一种积极而深刻的人性化体验的真正潜力,从而证明了通过哲学理论的角度来理解表现艺术实践可以如何打开理解和理解的新维度。与幸福和自我(和其他)护理有关的经验。

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